COMMENT ⊗   VALID 00003 PAGES
C REC  PAGE   DESCRIPTION
C00001 00001
C00002 00002	. DEVICE XGP    
C00004 00003	.PAGE←116
C00024 ENDMK
C⊗;
. DEVICE XGP    
.spacing 10*5 mills;
.EVERY HEADING(,{PAGE},)
.AREA TEXT LINES 4 TO 40
.FONT 1 "METL"
.font 2 "METLI"
.font 3 "METS"
.font 4 "MUS[HHA,LCS]"
.font 5 "MUZ[HHA,LCS]"
.FONT 6 "BASL35"
.PORTION MAIN;
.PLACE TEXT;
.COUNT PAGE FROM 1 TO 999;
.COMPACT
.<< Put in a footnote. >>
.
.COUNT FOOTNOTE INLINE FROM 1 TO 999 IN PAGE PRINTING ⊂"*****"[1 TO FOOTNOTE]⊃
.<<	(IF THISDEVICE = "XGP" THEN "%51%*" ELSE "[1]");>>
.
.FOOTSEP ← "__________";
.AT "$$" ENTRY "$"
.	⊂
.	NEXT FOOTNOTE;
.	FOOTNOTE!;
.	SEND FOOT
.		⊂
.		BEGIN "NEXT FOOTNOTE"
.		SELECT 1;
.		SINGLE SPACE
.		SPACING 0 MILLS
.		INDENT 0,0,0;
.		(FOOTNOTE! & " ");
ENTRY
.		END "NEXT FOOTNOTE";
.		⊃;
.	⊃;
.
.TURN ON "∂%↓_↑↓[&]","α"
.PAGE←116
.NEXT PAGE
.FILL INDENT 6
	All that is left in this regard is to point out that ↓_d_↓ grows
out of the basic tonic ↓_F_↓ of the exposition and then ↓_g_↓ grows out of
the control tonic ↓_d_↓.

.BEGIN VERBATIM

Figure 89b
.END
.CENTER
%6⊂⊗⊃L[α%0.02,α%-1.35]:N89FB.PLT[C9,LCS]⊂⊗⊃%1
.SKIP 6
.FILL INDENT 6

	The temporary tonics found in the first eighteen bars of the
movement appear in a straightforward manner.  Measure 19 works as
the dominant of the F chord which precedes it and also as subdominant
to the g chord of measure 21, which in turn is II of the coming tonic ↓_F_↓.
(The simplest pivots will be omitted.)
.BEGIN VERBATIM

Figure 90 
.END
.CENTER
%6⊂⊗⊃L[α%0.02,α%-1.10]:N90F.PLT[C9,LCS]⊂⊗⊃%1
.skip 6
.FILL INDENT 6

	In the ↓_F_↓ section of the exposition things are a little more
complex.  The chromaticism of the first four bars (23-26) is all
non-functional as far as ↓_F_↓ is concerned.  Likewise, measures 31-33
are clear.
.BEGIN VERBATIM

Figure 91a
.END
.CENTER
%6⊂⊗⊃L[α%0.02,α%-0.73]:N91FA.PLT[C9,LCS]⊂⊗⊃%1